Oness

This painting depicts a subtle and profound tension between individuality and unity. The woman, although immersed in an organized chaos—a whirlwind of intertwining shapes, colors, and energies—retains her own contours, a form that, while distinct, cannot be detached from the whole. She embodies this fundamental duality: being a unique entity and, at the same time, being an integral part of the whole. Her contours mark her own existence, her singularity, but her gestures, movements, and energy are fused with the vast chaotic organization of nature that surrounds her. It is as if she were the meeting point between individuality and cosmic unity.

Unity here does not mean self-effacement, but rather a profound communion with all that exists. The woman is a microcosm of the macrocosm, and her contours, far from marking a separation, underline the fact that by being herself, she is part of something much larger. It is in this space of tension – between being oneself and being everything – that a paradoxical beauty emerges: the individual, by connecting to the whole, does not lose himself, but finds himself in his full expression. This painting explores this precise point where the human being, while remaining himself, becomes a mirror